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The original form taught by Jiang Nan was not taught with any toning whatsoever, despite maybe some reference to the fact that there may be some used privately in the lineage family. Others have added stuff on, by their own choice. Michael had added on a seven-tone toning scheme that he uses in his Adv. K&L coursework.
Is the same seven-tone scheme used in the latest version of DHQ?
Not sure this essay by Michael answers your question, but thought it worth flagging up, anyway.
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